Wednesday, November 3, 2010

Mobiles: Artist Statement

Naum Gabo, the Russian artist, is credited with inventing the mobile in the early 1920s, with his depiction of the volume of a figure without carrying its mass. A few years later, in the late 1920s, American artist, Alexander Calder, further developed the idea of a kinetic assemblage that sculpted space. Marcel Duchamp coined the term, "mobile" in 1931 when he viewed Calder's work.

My experience with mobiles began in the 1970s while studying design in college. I have been more attracted to the form because it adds the dimension of time to the 2D and 3D genres, and leads to a multiplicity of ways of dealing with the human figure.

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2 Comments:

At November 3, 2010 at 2:37 PM , Blogger Tamis said...

Awesome mobile. At first i didn't understand how it worked -- how was it a mobile? And then you posted another picture, or I found another picture, where the pieces appear to be in motion and "bing" the light went on. It really added that third dimension and gives a sense of how tango dancers in particular make these moves and pauses as they twine around each other, and we see only a portion of the move in a moment's time -- it's like your piece captures those isolated movements. I would love to see it actually in motion. Would google let you post a mini-movie like the one's the kids make with their cameras?

 
At November 5, 2010 at 1:14 PM , Blogger mjpeakeART said...

Great idea, Tamis. I will look into the idea of a video presentation!
Thank you for your observations. The essence of this dance is the connection between the two partners, so although the legs and pelvises and arms can change positions, the connection through the dancers' cores remain fixed.
Matt

 

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